A riveting, immersive account of the agonizing decision to use nuclear weapons against Japan–a crucial turning point in World War II and geopolitical history–with you-are-there immediacy by the New York Times bestselling author of Ike’s Bluff and Sea of Thunder.

At 9:20 a.m. on the morning of May 30, General Groves receives a message to report to the office of the secretary of war “at once.” Stimson is waiting for him. He wants to know: has Groves selected the targets yet?

So begins this suspenseful, impeccably researched history that draws on new access to diaries to tell the story of three men who were intimately involved with America’s decision to drop the atomic bomb–and Japan’s decision to surrender. They are Henry Stimson, the American Secretary of War, who had overall responsibility for decisions about the atom bomb; Gen. Carl “Tooey” Spaatz, head of strategic bombing in the Pacific, who supervised the planes that dropped the bombs; and Japanese Foreign Minister Shigenori Togo, the only one in Emperor Hirohito’s Supreme War Council who believed even before the bombs were dropped that Japan should surrender.

Henry Stimson had served in the administrations of five presidents, but as the U.S. nuclear program progressed, he found himself tasked with the unimaginable decision of determining whether to deploy the bomb. The new president, Harry S. Truman, thus far a peripheral figure in the momentous decision, accepted Stimson’s recommendation to drop the bomb. Army Air Force Commander Gen. Spaatz ordered the planes to take off. Like Stimson, Spaatz agonized over the command even as he recognized it would end the war. After the bombs were dropped, Foreign Minister Togo was finally able to convince the emperor to surrender.

To bring these critical events to vivid life, bestselling author Evan Thomas draws on the diaries of Stimson, Togo and Spaatz, contemplating the immense weight of their historic decision. In Road to Surrender, an immersive, surprising, moving account, Thomas lays out the behind-the-scenes thoughts, feelings, motivations, and decision-making of three people who changed history.

“When Michael Lewis first met him, Sam Bankman-Fried was the world’s youngest billionaire and crypto’s Gatsby. CEOs, celebrities, and leaders of small countries all vied for his time and cash after he catapulted, practically overnight, onto the Forbes billionaire list. Who was this rumpled guy in cargo shorts and limp white socks, whose eyes twitched across Zoom meetings as he played video games on the side? In Going Infinite Lewis sets out to answer this question, taking readers into the mind of Bankman-Fried, whose rise and fall offers an education in high-frequency trading, cryptocurrencies, philanthropy, bankruptcy, and the justice system. Both psychological portrait and financial roller-coaster ride, Going Infinite is Michael Lewis at the top of his game, tracing the mind-bending trajectory of a character who never liked the rules and was allowed to live by his own–until it all came undone”–

CROOK MANIFESTO

BY COLSON WHITEHEAD ‧ RELEASE DATE: JULY 18, 2023

It’s not just crime fiction at its craftiest, but shrewdly rendered social history.

“A major new biography of J Edgar Hoover that draws from never-before-seen sources to create a groundbreaking portrait of a colossus who dominated half a century of American history and planted the seeds for much of today’s conservative political landscape. We remember him as a bulldog–squat frame, bulging wide-set eyes, fearsome jowls–but in 1924, when he became director of the FBI, he had been the trim, dazzling wunderkind of the administrative state, buzzing with energy and big ideas for reform. He transformed a failing law-enforcement backwater, riddled with scandal, into a modern machine. He believed in the power of the federal government to do great things for the nation and its citizens. He also believed that certain people–many of them communists or racial minorities or both–did not deserve to be included in that American project. Hoover rose to power and then stayed there, decade after decade, using the tools of state to create a personal fiefdom unrivaled in U.S. history. Beverly Gage’s monumental work explores the full sweep of Hoover’s life and career, from his birth in 1895 to a modest Washington civil-service family through his death in 1972. In her nuanced and definitive portrait, Gage shows how Hoover was more than a one-dimensional tyrant and schemer who strong-armed the rest of the country into submission. As FBI director from 1924 through his death in 1972, he was a confidant, counselor, and adversary to eight U.S. presidents, four Republicans and four Democrats. Franklin Roosevelt and Lyndon Johnson did the most to empower him, yet his closest friend among the eight was fellow anticommunist warrior Richard Nixon. Hoover was not above blackmail and intimidation, but he also embodied conservative values ranging from anticommunism to white supremacy to a crusading and politicized interpretation of Christianity. This garnered him the admiration of millions of Americans. He stayed in office for so long because many people, from the highest reaches of government down to the grassroots, wanted him there and supported what he was doing, thus creating the template that the political right has followed to transform its party. G-Man places Hoover back where he once stood in American political history–not at the fringes, but at the center–and uses his story to explain the trajectories of governance, policing, race, ideology, political culture, and federal power as they evolved over the course of the 20th century”–

The author of Killers of the Flower Moon and The Lost City of Z returns with a rousing story of a maritime scandal.

In 1741, the British vessel the Wager, pressed into service during England’s war with Spain, was shipwrecked in a storm off the coast of Patagonia while chasing a silver-laden Spanish galleon. Though initially part of a fleet, by the time of the shipwreck, the Wager stood alone, and many of its 250 crew members already had succumbed to injury, illness, starvation, or drowning. More than half survived the wreckage only to find themselves stranded on a desolate island. Drawing on a trove of firsthand accounts—logbooks, correspondence, diaries, court-martial testimony, and Admiralty and government records—Grann mounts a chilling, vibrant narrative of a grim maritime tragedy and its dramatic aftermath. Central to his populous cast of seamen are David Cheap, who, through a twist of fate, became captain of the Wager; Commodore George Anson, who had made Cheap his protégé; formidable gunner John Bulkeley; and midshipman John Byron, grandfather of the poet. Life onboard an 18th-century ship was perilous, as Grann amply shows. Threats included wild weather, enemy fire, scurvy and typhus, insurrection, and even mutiny. On the island, Cheap struggled to maintain authority as factions developed and violence erupted, until a group of survivors left—without Cheap—in rude makeshift boats. Of that group, 29 castaways later washed up on the coast of Brazil, where they spent more than two years in Spanish captivity; and three castaways, including Cheap, landed on the shores of Chile, where they, too, were held for years by the Spanish. Each group of survivors eventually returned to England, where they offered vastly different versions of what had occurred; most disturbingly, each accused the other of mutiny, a crime punishable by hanging. Recounting the tumultuous events in tense detail, Grann sets the Wager episode in the context of European imperialism as much as the wrath of the sea.

A brisk, absorbing history and a no-brainer for fans of the author’s suspenseful historical thrillers.

“An award-winning writer of absorbing, sophisticated fiction delivers a stylish and propulsive novel rooted in early 20th century New York, about wealth and talent, trust and intimacy, truth and perception. In glamorous 1920s New York City, two characters of sophisticated taste come together. One is a legendary Wall Street tycoon; the other, the brilliant daughter of penniless aristocrats. Steeped in affluence and grandeur, their marriage excites gossip and allows a continued ascent — all at a moment when the country is undergoing a great transformation. This is the story at the center of Harold Vanner’s novel Bonds, which everyone in 1938 New York seems to have read. But it isn’t the only version. Provocative, propulsive, and repeatedly surprising, Hernan Diaz’s Trust puts the story of these characters into conversation with the “the truth”-and in tension with the life and perspective of an outsider immersed in the mystery of a competing account. The result is an overarching novel that becomes more exhilarating and profound with each new layer and revelation, engaging the reader in a treasure hunt for the truth that confronts the reality-warping gravitational pull of money, and how power often manipulates facts”–

On April 12, we will turn to the world of international art. In January  1939, Pablo Picasso was renowned in Europe but disdained by many  in the United States. One year later, Americans across the country  were clamoring to see his art. How did the controversial leader of the Paris avant-garde break through to the heart of American culture?

The answer begins a generation earlier, when a renegade Irish  American lawyer named John Quinn set out to build the greatest  collection of Picassos in existence. His dream of a museum to house them died with him, until it was rediscovered by Alfred H. Barr, Jr., a cultural visionary who, at the age of 27, became the director of New York’s new Museum of Modern Art.

Barr and Quinn’s shared goal would be thwarted in the years to come—by popular hostility, by  the Depression, by Parisian intrigues, and by Picasso himself. It would take Hitler’s campaign  against Jews and modern art, and Barr’s fraught alliance with Paul Rosenberg, Picasso’s  persecuted art dealer, to get Picasso’s most important paintings out of Europe. Mounted in the  shadow of war, the groundbreaking exhibition Picasso: Forty Years of His Art would launch  Picasso in America, define MoMA as we know it, and shift the focus of the art world from Paris  to New York.

Picasso’s War is the never-before-told story about how a single exhibition, a decade in the  making, irrevocably changed American taste, and in doing so saved dozens of the twentieth  century’s most enduring artworks from the Nazis. Through a deft combination of new  scholarship and vivid storytelling, Hugh Eakin shows how two men and their obsession with  Picasso changed the art world forever.

On March 8 at 1:30. we will discuss a first-rate drama of mobilization and  diplomacy “not unlike that of war.” When fifteen years of struggle  by Suez veteran Ferdinand de Lesseps to build a canal through the  Panamanian isthmus collapsed through tropical disease, logistical  barriers, and financial disgrace, two Americans managed literally  superlative accomplishments: moving billions of cubic yards of dirt, harnessing one of the world’s most savage rivers, developing an  unprecedented lock and electrical system, and, not least, defeating  the Anopheles mosquito. In an open, vigorous style, author David  McCullough contrasts the manic-depressive attitudes of French and  American populations and leaders toward the canal with the cool  perseverance of his two heroes: the engineer John Stevens, a  former common laborer who took charge of the collapsing canal  project and realized that the problem was not digging but  transportation; and Dr. William Gorges, who conquered malaria and yellow fever in a region  where hospital rooms used to literally shake from patients’ chills.

Ironically, it was the often jingoistic “Manifest Destiny” rhetoric and the medical experience of  the brutal Spanish-American War that provided Congressional backing and scientific leads for  the Panama task. A further twist was the origin of the Panamanian republic which permitted  the canal to go through: French adventurer Phillippe Bunau-Varilla executed a coup against  Colombia in 1903 for “the greater glory of France,” then, according to McCullough, promptly  put the new nation and its treasury under the wardship of the U.S. State Department and the  House of Morgan, respectively. Meanwhile, viewing the French example, Congress so feared possible graft in Panama that it threw horrific red tape around the canal project. But Stevens  was able to recruit the greatest engineering minds of the period – and the book is able to  recapture their breakthroughs.

“Kissinger analyses the lives of six…leaders through the distinctive strategies of statecraft, which he believes they embodied. After the Second World War, Konrad Adenauer brought defeated and morally bankrupt Germany back into the community of nations by what Kissinger calls ‘the strategy of humility.’ Charles de Gaulle set France beside the victorious Allies and renewed its historic grandeur by ‘the strategy of will.’ During the Cold War, Richard Nixon gave geostrategic advantage to the United States by ‘the strategy of equilibrium.’ After twenty-five years of conflict, Anwar Sadat brought a vision of peace to the Middle East by a ‘strategy of transcendence.’ Against the odds, Lee Kuan Yew created a powerhouse city-state, Singapore, by ‘the strategy of excellence.’ And, though Britain was known as ‘the sick man of Europe’ when Margaret Thatcher came to power, she renewed her country’s morale and international position by ‘the strategy of conviction.'” —

McKinsey & Company is the most prestigious consulting company in the world, earning billions of dollars in fees from major corporations and governments who turn to it to maximize their profits and enhance efficiency. McKinsey’s vaunted statement of values asserts that its role is to make the world a better place, and its reputation for excellence and discretion attracts top talent from universities around the world. But what does it actually do?

In When McKinsey Comes to Town, two prizewinning investigative journalists have written a portrait of the company sharply at odds with its public image. Often McKinsey’s advice boils down to major cost-cutting, including layoffs and maintenance reductions, to drive up short-term profits, thereby boosting a company’s stock price and the wealth of its executives who hire it, at the expense of workers and safety measures. McKinsey collects millions of dollars advising government agencies that also regulate McKinsey’s corporate clients. And the firm frequently advises competitors in the same industries, but denies that this presents any conflict of interest.

In one telling example, McKinsey advised a Chinese engineering company allied with the communist government which constructed artificial islands, now used as staging grounds for the Chinese Navy—while at the same time taking tens of millions of dollars from the Pentagon, whose chief aim is to counter Chinese aggression.

Shielded by NDAs, McKinsey has escaped public scrutiny despite its role in advising tobacco and vaping companies, purveyors of opioids, repressive governments, and oil companies. McKinsey helped insurance companies’ boost their profits by making it incredibly difficult for accident victims to get payments; worked its U.S. government contacts to let Wall Street firms evade scrutiny; enabled corruption in developing countries such as South Africa; undermined health-care programs in states across the country. And much more.

Bogdanich and Forsythe have penetrated the veil of secrecy surrounding McKinsey by conducting hundreds of interviews, obtaining tens of thousands of revelatory documents, and following rule #1 of investigative reporting: Follow the money.
When McKinsey Comes to Town is a landmark work of investigative reporting that amounts to a devastating portrait of a firm whose work has often made the world more unequal, more corrupt, and more dangerous.

The New York Times bestseller“The Shadow of the Wind is ultimately a love letter to literature, intended for readers as passionate about storytelling as its young hero.” —Entertainment Weekly (Editor’s Choice)“One gorgeous read.” —Stephen King

Barcelona, 1945: A city slowly heals in the aftermath of the Spanish Civil War, and Daniel, an antiquarian book dealer’s son who mourns the loss of his mother, finds solace in a mysterious book entitled The Shadow of the Wind, by one Julián Carax. But when he sets out to find the author’s other works, he makes a shocking discovery: someone has been systematically destroying every copy of every book Carax has written. In fact, Daniel may have the last of Carax’s books in existence. Soon Daniel’s seemingly innocent quest opens a door into one of Barcelona’s darkest secrets—an epic story of murder, madness, and doomed love.